R.M.

~ Essays. Poems. Written Meditations.

R.M.

Tag Archives: moving

Still Life

25 Sunday Aug 2019

Posted by racheltejas in art, divorce, Meditations and Poetry, Melancholia, Motherhood, Yoga

≈ 2 Comments

Tags

Cezanne, divorce, emotional chaos, essay, home, meditation, motherhood, moving, Richard Freeman, sadness, Sesshin, silence, wisdom training, yoga

Still Life

I cannot ascertain if not writing is a form of moral and aesthetic penance or fear.

My thoughts now are largely mundane: I’ve no money. I’ve a job a loathe. I bought a house I love. I cannot afford the house. The children start school. My husband-0f-no-more hates me, how is it possible to hate a woman one has observed giving birth, to one’s own children no less, and both dead and alive? Where are my keys? Why did I lease this car? Where is the money? Why did I buy that dress? And that one, and that one? Oh. I am a minimalist in thought only. Clothes are an addiction. If only I were skinny clothes wouldn’t be an addiction but I cannot tell you how I reached this certainty. Are the children happy? Will we burn in the fires? 

My teacher Richard Freeman is quite good on language. Not as a creative exercise but in explaining its function as being one of paradox: it is a primordial need. It is also an expression of the deepest ego, and must be quieted, perhaps even silenced, to move past spiritual and intellectual adolescence. I think about this contradiction all the time: language as need, language as an element, within the scope of a fully lived life, to be in some manner expunged or cast aside like so many costumes.

There is a blue cottage on a quiet street. Old trees have grown up and around the house. It is a fairytale. In the back of the house is a large patio. This leads to a small forest, truly wild with cottonwoods, strawberry bushes, families of rabbits who have nested under a large shed, painted blue like the house, and hawks and coyotes whose whimpering and unearthly whine I occasionally hear at night from my wide open bedroom window.

Because I love water and birds, particularly peacocks and swans, everything in the house is teal or navy or deepest green and the lines of the few pieces of furniture I own arc and curl like waves. Or the neck of a bird.

One morning.
A bath.
The bath is huge, deep, outlined in a rich pale quartz the color of dry sand. The wall facing the forest is glass, confidently private, so that one may bathe with the window open and gaze up at the tree leaves grazing a turquoise sky.

Under water one finds a silence that is deep enough to hear the heart. I sink my head, my hair, my weary eyes, into the water.

This body. What constitutes its essence now? Fatigue. Not beauty, not practice, not love, not even yearning. Exhaustion. An exhaustion so encompassing that to take the bath is itself an endeavor. It has been two years since this body knew a real home. Two years as a friendless mother, casting about in ever increasing chaos for answers that do not exist but must instead be invented, like an ill prepared magician hired for a last minute show.

This mind. It has arrived at a state somewhere beyond unhappiness or joy or even the avoidance or craving for either. Flatline. This is an image I both love and intimately know, and one can see the knowledge in my eyes, in the set of my jaw.

Briefly the memory shifts to the late winter. A long and gorgeous night spent with a beautiful troubled young woman, illicit substances, and conversations more intimate than sex. “I see you all the time,” she whispered, “and I think you are sad.”

How romantic, to be called sad by the beautiful blue eyed cocaine addicted writer down the hall. These are moments one embraces, holds fast to a heart one suspects is deadening from alternating neglect and abuse.

When does sad become… lifeless?

Thoughts drift easily in water, watching the constant and subtle waves move up and over chilled knees into the eddy of thighs, hips, groin: tide after tide washes over this exhausted body, limbs afloat like branches in a deep stream.

The water brings rest. Scent of damp lavender fills the morning air, the punishing sun begins its ruthless high summer ascent. Wrists float, the neck sinks, clavicles rise and descend with breath.

Why do I not write?
I have… nothing to say.
And how can I express that this honesty, the simple fact that the overwhelming and constant events of the last months silenced me to a state of mere survival, someone raw and strong and half dead or more, all at once and all the time – how can I express what relief this brought to me without shifting into metaphor, words, paragraphs, grammar, structure? Language? Language and all her lies.

In Zen sesshin one is not allowed to write, to journal, to engage in the prakriti of creative motion. Stillness. If there is any aim, it is stillness.

My stillness, for months, has had no intention. It has been the terrified reaction of the forest creature about to be hit by a truck.

Now I live in this blue house, on this quiet street, with a forest and a river for companionship. My son told me we are “finally home.”

And so we are.
I do pray that the stillness that arrives now has movement, enough even perhaps for language to creep through from time to time, and that like the old trees surrounding us we might find a way, long though it may be, to plant and rise, slowly, to the sun.

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4

05 Sunday Mar 2017

Posted by racheltejas in Grief, Meditations and Poetry, Melancholia, Motherhood, photography

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Tags

adventure, childhood, children, grief, loose rhyme, motherhood, moving, night imagery, photography, poem, poetry, stanza

4

The marksman, the poet, and the mapmaker
together saw a sliver of light at dusk. The first
took aim, the second found its name, and the third
on hard ground drew 5 circles, and then made the 5th

a shadow. “I remember every tree,” she said, “from here
to the new there, and back again. Draw it, you will create it.”
The poet kept her silence, feeding the moon to the night
as worlds arranged themselves in her throat.

The young marksman, thin as his own arrow,
his voice like fire at the cold lake’s edge, said:
“We’ll have a treasure hunt by the stream where
Dada once caught a dirty fish.” The poet’s eyes not
seeing but knowing. “X marks the spot.”
2015-03-17 15.10.05

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Morning before Mysore

25 Friday Nov 2016

Posted by racheltejas in Colorado, Denver, Grief, Meditations and Poetry, Melancholia, Motherhood, photography

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Tags

Ayurveda, children, depression, divorce, dreams, grief, holidays, marriage, motherhood, moving, North Carolina, photography, politics, sadness, travel, Trump

Morning before Mysore

But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globèd peonies;

   – – Keats, Ode on Melancholy

“I cry so much I could turn to drops.”
“You’d just roll into the waves…”
— from “Moonlight,” Tarell Alvin McCraney

First Thanksgiving in solitude. First Thanksgiving without A. in almost 17 years. First Thanksgiving, of course, without my children. Between Donald Trump, the depression of my middle child, my own middle age, missing the vision of the toddler I dressed this morning in sheaths of gold and silver bows, red sequined shoes that I would certainly click three times if I thought it could wake me, wake the country, from this wretched state…. She is gone, though, and has taken the shoes, along with her fat little gold-dressed Buddha-belly, to dinner at the home of my estranged husband’s brother.

I am unhappy. Deeply unhappy, and not in a wild, romantic sort of way: it is an unfamiliar unhappiness of dullness, of worry without end, of knowing that divorced middle-aged women with three small, rather complicated children and not much money don’t usually wind up taking long midnight walks through Dubrovnik in late spring, or getting into epic Liz Taylor/Richard Burton rows in Venice, or even just having sex. Occasionally. This haunts me because in my youth I was lovely, my ex used to describe me as having the sort of face that would cause college boys to have fist fights in parking lots; it is difficult, then, to let go of beauty (which I always identified as lacking), youth, and my marriage, in what feels like some drawn out but oddly simultaneous moment of Hell.
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Like all other thinking people, I am devastated daily by the living nightmare of Trump. The take over of conservative white nationalists in this country makes me want to leave. Portugal? Southwestern France? Buenos Aires? But I will not leave. I cannot leave, not because I am committed to staying but because A. would never leave, not even Denver.

After we separated I begged for a compromise: I have stayed in Denver because of his career. “Let me go, let me go, let me go,” I begged. To the East Coast, where I most resonate with others; we discussed Eugene, Oregon, where it is beautiful and inexpensive and the ocean beckons, the wide grey waters of the Northwest.

I am made of water and air. In Ayurvedic terms one might say I possess much vata, the energy of air, of lightness, of dream. I find it horribly horrible to be grounded. I hate to stay. My mind is in constant play with images of the past, of dream, of beauty and myth. Sometimes I think Artemis is walking next to me, and when I set myself free, as I am doing in this essay, the quality of my thoughts are weightless, but glimmer like sun-peaked waves. Discipline is hard for me, and joy is often short lived. Everything cycles through me. Including, apparently, my marriage.
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I worship water and green things and hidden places. Great cities and country fences that stretch for miles along borders of Kentucky grasses. Empty beaches and old white farmhouses, feral children running nude, ruining my Guerlain lipstick, knees bloodied and fingers raw from a deep-red football.

Finally, North Carolina. “Yes,” he said. I found a farmhouse, a real one, on four acres. White and huge and renovated, with outbuildings and sheds. A gazebo down a little lane, already in place. It was a house for children to ride scooters in, and get lost in the dark, carrying candles. I had dreams of homeschooling and long train rides to New York City, short car trips to the coast. The Outer Banks, springtime in Savannah, visiting the Martin House, owned by my family for many years, in Blowing Rock.
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It seemed an odd but perfect landing spot: it would be loathsome to be around the conservative South, but I have had people there, on my father’s side, since before the Revolution. And I am expert at creating and finding bubbles, whether they be political, personal, aesthetic or cultural. I wouldn’t be alive without them. This is not a happy admission, just a true one..

That white house, with its original wood floors and untouched oak filigree filling the arches that separated endless rooms, the 13 foot ceilings and the windows that stretched the height of whole walls – it became my obsession. I had visitations of vision upon vision: the wet winters, the nights of storm, mornings all steam and heat and bloom. Outdoor and indoor cats, a few huge dogs, my children wild with play in the afternoon, books left on hammocks in the afternoon rains. I could see the covers run, ink stains of purple and orange. There, on the first floor, a living room empty save a grey linen loveseat and a couple of swing chairs. Next to that, the former parlor, now my library and study, where I visit with Virginia Woolf and my greatest friend, Henry James, who entirely approves of this arrangement, given his own itinerant homeschooled life. A house mainly empty, all space and wood, with music everywhere, all the time: Mozart quartets at dawn, Coltrane at 5:00, dancing to the layers of disco and hip-hop of Kaytranada in the dark.
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At the last minute, we stayed.

We stayed here, in Denver. A city alien and huge to me, dry as death, polluted, overcrowded, flowing with second tier hipsters and second rate museums.  A. has a career here, a family, and not much need for newness; he is a fairly content person, which makes him far wiser than I, with my visions and fancies and this hidden life outside of Life.

I dislike cities unless they are Great Cities. I would gladly live in and raise my three children in Paris, New York, even Boston, but I am not wealthy and without wealth any city, even a Great one, becomes a Great Prison. So, as I speed toward middle age and beyond, I yearn for the rural. For a life of sweet slowness, some village close by with a bookstore and a good cafe, and a decent small school. A home with a bedroom window that looks out on endless green, tops of trees, and nothing in the distance but hills and space and sky, and, if I am truly blessed, water.
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Existence at this moment, both politically and in the most intimate manner, is utterly charmless. This word, “charm.” Its Latin root, carmen, is a song, an incantation. One might think of Orpheus, and the mesmerizing music he created and gifted to the human race. Or, the music with which he charmed all those lucky enough to hear him. Charmed, then, also means to be caught in a spell, and this meaning is found as far back as the Old French of the 12th or 13th Centuries.

How can one live without charm? By this word I do not mean a casual insouciance – though this element of life, too is necessary – but more that a life without the spell of music, of lightness, of civility and intelligence and wit, is…. empty. Barack, my huge and only political hero, possesses more charm than any person has right to own. Charm, in its old sense, the sense of the cultivated melody that delineates a life thoroughly lived, is leaving the White House, and has already left my house.

However, there are moments. Aren’t there always? Moments.  Just moments, and when we are awake I suppose they occur despite Trump, despite a departed husband, despite the abandoned white house on the hill.

Two days ago I woke my children early so that I could attend a morning Ashtanga Mysore practice.

I took my smallest child, a little girl with a 70’s shag and a sort of verbal precocity that exhausts her companions by 11AM, and asked her to “use the potty.”

“Oh,” she said, with some surprise. “No that’s OK Mama. But thank you for asking.” And then she laughed, as if aware that a small creature who is still in diapers should not be using the Queen’s English to speak with such eloquence about her own incontinence.

I wanted to eat her. My love was too big, the charm too great.
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After finally corralling all three small beings into our large car, my eldest, who is 8 and has been immersed for weeks in British books, heard me speaking to his grandmother about a playground.

“No,” he bellowed, in his usual ear-splitting tone, “I do not much fancy going to a playground.” I looked at the child to see if he was kidding, or if he was aware he had just used a term that might well get him an ass-kicking on a school yard, but he was utterly without self-consciousness about his gorgeously arcane phrase. This child, my son, happens to be particularly brilliant, particularly complicated, and hearing him adopt the language of his chosen world, found in pages upon pages of the books he reads obsessively and everywhere, brought me a momentary joy so large I forgot, for a spell, how bad things were all around us. The charm of this child, his brilliance and anger and confidence, swept me in and held me suspended in time and love. Charm, then, cultivates the greatest gift: gratitude.

We were almost to our destination when my deeply troubled and depressed middle child blurted from her booster seat: “If I am unconscious am I asleep?”

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This sparked a rather amazing 10 minute dialogue on the different states of consciousness the brain is capable of occupying, from dream-state to manic awareness and everything in between. We talked about synapses and eye movements, drugs and surgery and dreams and what it feels like to wake up. We talked about death.

My son finished it. He said, “Bebe, when you die your brain doesn’t move anymore.”
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“That is right,” I said, trying to keep it technical, knowing the neurosis of my little girl’s mind. Then he said, as if he had been up for three nights reading Keats:

“Death, Mama, is an everlasting sleep.”

I looked at my son, with his long lashes and alien wide eyes. His hair is wavy and dark and his body is lithe like a baby panther.

“Yes.

Yes, my charming son.

Sleep everlasting.

Be good for your Nana.

I love you.

Toujours et toujours et toujours.”
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